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“Parents of one of the relatives of Srimanthudu producers are in Uravakonda. Many unit members were put up at a kalyana mandapam. Nani remembers shooting in areas like Uravakonda where there were no hotels or lodges. But once we reach the locale, we’d understand why Hanu was particular.” “The entire unit would be travelling in 40 cars like a convoy for three to four hours and wonder what’s the point. Hanu Raghavapudi, he says, was particular about the locations for even small scenes. “A lot more people recognise me now,” laughs Nani. In many locations, huge crowds turned up to watch the shooting. For this story, shooting in real locations with rocks, sand and gravel lends authenticity, along with sound that’s distinct to the region.” At a subconscious level, this gives a feeling that everything is made up. These days the audience is quick to point out if, say, a house set is used repetitively. The terrain gives a raw texture and colour tone to the film. “We shot in areas around Anantapur and Hindupur. In KVPG, he plays Krishna, a coward film buff who’s madly in love with Mahalakshmi (newcomer Mehreen). “Some of the locations reminded me of the terrain in which we shot Bheemili Kabaddi Jattu,” he says. KVPG took Nani to the interiors of Rayalaseema, a departure from the last few city-centric films. When Hanu Raghavapudi approached him for KVPG, he was surprised at the shift of milieu and genre from the director’s debut film, Andhala Rakshasi. The difference is, earlier if I had to choose from four offers, now I can choose from 14,” he says. “I’ve always had good stories coming to me. Two successful films have meant more scripts coming to him. My close friends from school, my cousins and Anju (wife Anjana) are brutally honest when they don’t like my film.” I’ve always been an Ameerpet, Sanath Nagar and Balkampet person, more in touch with reality. “I didn’t grow up in Banjara Hills or Jubilee Hills. He isn’t the kind to get trapped with a ring of cronies, he tells us. Nani has remained the same through the different phases. He bounced back in 2015 with Yevade Subramanyam and Bhale Bhale Magadivoi. He had no release in 20 saw his films getting a lukewarm response. “When I have a film for release, for a week to 10 days I tend to zone out,” he says.
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The lack of sleep and the nervousness about the impending release is evident. He’s been shooting all night for Indraganti Mohanakrishna’s film. That done, he steps aside for a chat with MetroPlus. He also answers questions on romance, with Valentine’s Day round the corner, with earnestness and a tinge of amusement when asked to dole out relationship advice. On a balmy afternoon, Nani talks about Krishna Gadi Veera Prema Gadha (KVPG), directed by Hanu Raghavapudi, to be released this Friday. But when an actor is game to field a wider range of questions, he becomes an interviewer’s delight. Pre-release interviews can get repetitive and boring.